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Download A Shot in the Dark: A Creative DIY Guide to Digital Video by Jay Holben PDF

By Jay Holben

The main major contribution to movie imagery is lights. lighting fixtures is the major to turning novice pictures into expert tales and presentation. A SHOT in the dead of night: an artistic DIY advisor TO electronic VIDEO lights ON (ALMOST) NO finances indicates that strong lighting fixtures doesn't continually require pricey or large Hollywood undefined. With a bit creativity, ingenuity, and a few elbow grease, you could create your individual lighting fixtures arsenal to address a large number of events. This e-book will exhibit do-it-yourselfers tips to create their very own gear and the way top to exploit it. the 1st a part of the ebook teaches you concerning the basics--the basics of sunshine, colour, publicity, and electricity--that are the development blocks of lights. You'll observe what mild is and the way to regulate it. upon getting that beginning, the e-book will introduce tips, concepts, and hands-on initiatives that coach you on how you can create your personal lighting fixtures instruments from low-cost, on hand assets. the one restrict to what you are able to do is your imagination.

Format: Retail-quality, full-color PDF

From the writer: 5 the best way to greater Images

* Never use automobile exposure! Your publicity is your most powerful brush on your photographic arsenal. by no means enable a bit of to inform you the place to put your publicity. evaluation the scene, review the lighting fixtures degrees, and make an informed selection according to what you will want your viewers to see.

* Learn to regulate your lighting fixtures quality. selecting the right caliber of sunshine for the correct occasions is helping to refine your photographs significantly! tough gentle, gentle gentle, or a mixture of the 2: discover ways to use those instruments on your advantage.

* Position your lighting fixtures in accordance with the temper you need to convey. in terms of lighting fixtures, it's going to hardly (if ever) be approximately 'just sufficient mild to shoot.' lights creates a temper and is helping inform a narrative. if it is a company interview or a dramatic scene, your mild place is helping the viewers to event the perfect mood.

* Learn to determine light. Photographic lighting fixtures doesn't occur in a vacuum. It's according to real-world studies. occasionally you will have your mild to be surreal and overseas, and infrequently you will have it to be enormously usual and never believe 'lit' in any respect. the right way to research the diversities is to review gentle within the flora and fauna. usual and synthetic lights on your daily life will shock you with how appealing and remarkable it may be. learn how to no longer take mild with no consideration and to determine it round you in any respect times.

* The most crucial factor you do with lighting fixtures is to direct the audience's cognizance to the place you will have it to be. what's most vital during this shot or scene? beginning there'll aid dictate the way you will upload or subtract lighting fixtures to ensure the viewers is seeing what you will have them to work out if you happen to wish them to work out it.

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Additional resources for A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget

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24 A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget When light strikes a porous or textured surface, it often results in a diffuse reflection, whereby light scatters in all directions. Mixed reflection is a combination of direct (specular) and diffuse where a polished, but textured, surface will result in scattering of light along with a specular highlight. Spread Some materials, like a piece of crumpled paper that has been flattened out, will have no direct reflectance but will spread the light evenly in the direction of reflectance.

How Color Filters and Gels Work Colored filters and gels work on the principle of subtractive color mixing and on the basic physics that colored translucent media will stop (or cut) the complementary (or opposite) wavelength of light from passing through the media. To simplify the discussion, I am going to look at “white” light as being composed of only three primary colors—red, green, and blue—as combinations of those three primaries can create any color of the rainbow. As illustrated in the images of the color circles; in additive color mixing, the mix of two colors creates a complementary color.

Rosco’s Full CTB has a shift of –131, Lee’s is –137, and GAM’s is –141 *Mired shift numbers courtesy of David Eubank’s pCAM iPhone/iPod application. As I mentioned earlier, all gels, with very few exceptions—by the very nature of working in subtractive color mixing—will filter out certain wavelengths of light and, thereby, will reduce the transmission of light through them. In simple terms, every time you put a gel on a light or a filter on your lens, you’re going to lose light. Sometimes this is desirable, as in the case of bright sunlight coming through the windows fighting against low wattage tungsten 39 40 A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget lights; it’s actually a benefit to reduce the intensity of the sunlight by filtering it.

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