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Download Automated Lighting: The Art and Science of Moving Light in by Richard Cadena PDF

By Richard Cadena

Automatic lights: The paintings and technology of relocating gentle in Theatre, concert and leisure remains to be the main depended on textual content for operating and aspiring lighting fixtures execs. Now in its moment variation, it's been totally up-to-date to incorporate new advances in lamp resources akin to LEDs and plasma lamps, automatic and programmable screens, updates for coping with colour, and new tools for utilizing electronics. Its transparent, easy-to-understand language additionally contains sufficient unique details for the main skilled technician and engineer. * the main depended on and complete ebook on computerized lights available!* effortless to learn with minimum "tech-talk"* Covers the newest advances in lighting fixtures screens, resembling automatic LED different and programmable monitors* New equipment for utilizing electronics

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Read or Download Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment, Second Edition PDF

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Extra info for Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment, Second Edition

Example text

High End Systems, interestingly enough, was also the distributor for Clay Paky at the time, and the improvements of the Golden Scan weren’t lost on Belliveau. In 1989, High End and Clay Paky had a falling out, and as a result Belliveau designed and built a moving mirror fixture called the Intellabeam (Figure 2-13). High End then put their manufacturing operation into high gear, shifting their focus from distribution to manufacturing. Around the same time, a small Danish company called Martin was building fog machines.

Many lighting designers spend years building a portfolio before they have an opportunity to design and use a lighting rig of that size and scope. But regardless of whether an automated lighting system is small, medium, large, or mega large, there are common systems, practices, and elements that should be familiar to the designer, programmer, operator, technician, or stagehand. Learning about how these systems go together and work together will help you prepare for the eventuality of handling an automated lighting system of any size.

Four primary color dichroic filters are employed. An integrating lens is provided for homogenizing the color of the light. A projection lamp may be employed with an elliptical mirror which reflects light to converge at a focus. A collimating lens is then used to align the light for passage through dimmer and douser units and a focusing lens. The second embodiment of the light includes two color wheels each having 32 apertures formed in their outer periphery. Thirty one of the apertures are filled with dichroic filters to permit a preselected color to be transmitted therethrough with one aperture left open for passing white light.

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