By Kristin E. Pitt (auth.)
This e-book contextualizes twenty first century representations of disappearance, torture, and detention inside a ancient framework of inter-American narratives. reading more than a few resources, Pitt reveals a chronic concentrate on the physique that hyperlinks modern practices of political terror to matters approximately corporality and sovereignty.
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Extra info for Body, Nation, and Narrative in the Americas
Could not bring her back to life: the stamen of her f lower had been broken. (109)] In “Benção Paterna” (Paternal Blessing), a prefatory essay to one of his later novels, Alencar praises the development of a national Brazilian literature and describes its progress in stages, beginning with a “primitiva” [“primitive”] or “aborígine” [“aboriginal”] phase, made up of “as lendas e mitos da terra selvagem e conquistada; . . as tradições que embalaram a infância do povo, e êle escutava como o filho a quem a mãe acalenta no berço com as canções da pátria” (I: 697) [“the legends and myths of the savage and conquered land; .
In the nineteenth century, American scholars, politicians, and rhetoricians frequently reinforced the notion that humans and landscape were intimately bound to each other in the Americas, for this bond made the ties between individuals and the national community easier to promote and justify. In fact, in the midcentury, when the prominent aesthetic and political philosophies of romanticism and liberalism celebrated individual independence and freedom, a metaphorical merging of body and landscape provided a possible means of imagining a fiercely independent subject who nevertheless operated in natural harmony with a larger group of individuals also bound to the same territory that was imagined as a unified whole.
12 Iracema serves, in many ways, as a colonial-era model for nineteenth-century women undergoing such reforms after independence. She willingly sacrifices her access to the communal property of the Tabajaras—access granted her both by familial connections and by the authority of the native “church”—and wholeheartedly embraces her new role as wife and mother, regardless of the extremely high costs that such a role exacts. Iracema simply characterizes her impending death as necessary for Martim’s happiness: “Quando teu filho deixar o seio de Iracema, ela morrerá, como o abati depois que deu seu fruto .