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E. BADIAN, From the Gracchi to Sulla. Historia, X I (1962), pp. 197-245. W. BAEHRENS, Sallust als Historiker, Politiker und Tendenzschriftsteller. Neue Wege zur Antike, IV. Leipzig, Teubner, 1926, pp. 33-82. M. BANG, Marius in Minturnae. Klio, X (1910), pp. 178-191. N. I. BARBU, Les procédés de la peinture des caractères et la vérité historique dans les biographies de Plutarque. Paris, Nizet et Bastard, 1933. (*) Nous n'avons pas cru devoir mentionner ici tous les livres cités dans les notes du présent ouvrage.

GSELL, /. c, 130. p. 33. (4) M. L. W. LAISTNER, /. c, p. 59, opine dans le même sens : « Accuracy is subordinated to dramatic effect, truth is sacrified for the sake of upholding a preconceived theory. » (5) K. BÜCHNER, /. c, p. 51 : « Sallust vereinigt die verschiedenen Glieder und Geschehnisse des Bellum Jugurthinum zum einheitlich gesehenen und gestalteten Kunstwerk » ; p. 68 : « Eine solche wohldurchdachte, sich entsprechende, den Absichten des Darstellers gehorchende, im Grossen einfache Gliederung, in deren Dienste aber wiederum auch die kleinsten Details, wie in der Darstellung gezeigt, stehen, ist das Werk des Künstlers, nicht der Geschichte selbst...

BIBLIOGRAPHIE A. SOURCES ANCIENNES I. É P I G R A P H I E ET NUMISMATIQUE Corpus Inscriptionum latinarum. H . D E S S A U , Inscriptions Latinae selectae, 3 vol. Berlin, W e i d m a n n , 1892-1916. R. C A G N A T , J . T O U T A I N , P . J O U G U E T , G. L A F A Y E , Inscriptiones Graecae ad res Romanas pertinentes. Paris, Leroux, 1906-1928. (*) Cf. notre L. Marcius Philippus, Bruxelles, Palais des Académies, 1961, pp. 97, 104, 181. (2) Cf. notre Pompée le Grand, Bruxelles, Palais des Académies, 1954, fig- 3(3) H.

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