By Dominick Argento
The distinguished American composer Dominick Argento is understood for the care with which he selects the themes for his works, be they meant for opera condominium, live performance auditorium, recital corridor, or church, and for the non-public involvement and curiosity that constantly shine via his track from the premier in 1951 of Songs approximately Spring to Orpheus in 2000. each one bankruptcy of this luminous and revealing memoir relies on a specific composition, surrounded by means of Argento's reflections at the interval in his lifestyles whilst the piece was once written and its beginning functionality. Songs approximately Spring, a piece of his undergraduate years, stirs stories of his teacher Nicholas Nabokov (friend of Stravinsky and cousin to Vladimir), with whom he realized to drink martinis, and in addition of his first collaboration with Carolyn Bailey, the soprano who may later turn into his spouse. within the bankruptcy on Casa Guidi, the 2004 Grammy-winning piece in keeping with letters from Elizabeth Barrett Browning to her sister Henrietta, Argento finds that his number of that topic used to be due partially to the truth that the actual Casa Guidi, the place Browning lived, was once just a couple of blocks from his personal condominium in Florence and a widespread vacation spot for his site visitors. delivering perception into his genuine compositional technique, he additionally stocks the non-public diary he stored whereas composing The Voyage of Edgar Allan Poe, which information his large study and training for writing that paintings in addition to its tricky street to construction and function. In a life of compositions that experience engaged Western tradition from Chekhov to overlook Manners, from Don Juan to the Bremen city musicians, Dominick Argento has inspired audiences to target the hopes and fears that experience outlined human lifestyles and their very own lives. Now he invitations us to proportion his personal, illuminating the character of musical composition and its carry at the human mind's eye. Dominick Argento taught track concept and composition for almost 40 years on the collage of Minnesota. He was once offered a Pulitzer Prize in 1975 for the music cycle From the Diary of Virginia Woolf and a Grammy in 2004 for most sensible modern Classical Composition for Casa Guidi.
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Extra info for Catalogue Raisonne As Memoir: A Composer's Life
Perhaps a set of nocturnes displaying a variety of moods? But what different moods? Thinking about night brought to mind Juliet’s speech, “Come, civil night,” and that in turn reminded me of the descriptions of night found in Shakespeare. I decided to select five sentences or phrases about night from various plays to serve as mottoes for different and contrasting sections of music and to end with a setting for voice of Juliet’s entire speech. All the sections would be variations on a single theme, just as the poetic quotations varied one theme.
We needn’t have worried. D. —Putting hubby Through. Having entered Eastman almost apologetically, sure that I was outclassed by every other composition student in the school, by the end of that first year I had the distinct feeling that there was an invisible laurel wreath on my head. Bernard was primarily responsible for this change of attitude. I was very downhearted at my first lesson when he casually dismissed the fragments of Fantasio as hopeless (rightly so, as I later understood), but little by little I warmed to him and he to me.
From Hovhaness, the importance of spontaneity and going one’s own way, fashionable or not. From Cowell and Hanson, that kindness and generosity can sometimes be more valuable to a young composer than criticism and advice. 12 / D IVERTIMENTO FOR PIANO AND S TRINGS The Resurrection of Don Juan (1955) Ballet, 45 minutes Suite for orchestra, 22 minutes Scenario by Richard Hart Ballet suite performed 5 May 1956, Festival of American Music, Eastman School of Music, Rochester, New York Complete ballet performed winter 1959, Staatstheater, Karlsruhe, West Germany M y first composition lesson with Bernard Rogers at Eastman could not have been more devastating, particularly since my self-esteem was at its nadir.