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If one takes a larger view, however, Le convenienze can be appreciated as a milestone in Donizetti's efforts to free himself from the conservatism that held back the development of Italian opera, at least in Naples, during the 1820s. In this farsa he not only satirizes the foibles and pretensions of the personnel of the theater but, at the moment when the cast assembles for the runthrough of the opera seria, he exposes the weakness and pomposity of that exhausted genre. Le convenienze enjoyed a fine success.

All the Vassellis were interested in music, and Virginia had already demonstrated some aptitude as a pianist and singer. Although Gaetano's first friendship was with Toto, and their loyal attachment would continue until Gaetano's death, he became increasingly aware of the dark beauty and gentle disposition of young Virginia. Besides his in-laws-to-be, Donizetti formed a friendship with another prominent Roman family of dilettanti, having been given by Saverio Mercadante 16 a letter of introduction to the Carnevalis.

Enrico di Borgogna. Opera. S. Luca. Venezia. La Bella prigioniera. Farsa. Non rappresentata. Falegname di Livonia. Opera. S. Samuele Venezia II voto de' Sudditi. Cantata. Per la prima volta che il Re Francesco I. di Napoli onoro il Teatro di S. Carlo. 1822-1830 20. 21. 22. 23. 24. 25. 26. 27. 37 Aristea. Opera d'un atto. S. Carlo Napoli Ajo nelHmbarazzo. Idem. Zoraida di Granata. Opera. Roma Idem. Una follia. Farsa. S. Luca Venezia Le Nozze in villa. Opera. Mantova. Alhaor [sic] come al 7. Classica, celebre, unica monferrina eh - eh - eh - eh 97 The last item on this list, the only one not by Donizetti, is a traditional Piedmontese dance, 98 and his entry captures its lighthearted feeling.

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